Renato D’Agostin develops a unique approach to photography, based on the very substance of the image: its grain, texture and density. Each print thus becomes a sensitive object, conveying an intimate narrative.

While staying in Deauville, he imagines an album of personal memories, an inner journey in search of lost love. The photographs unfold like fragments of a romantic flashback, a succession of sensitive, evanescent details.

But this story, although deeply personal, becomes universal. Deauville, an iconic city in cinema, provides the timeless backdrop. The artist's romantic memories are replayed there like a forgotten scene from a black-and-white film, suspended between melancholy and reminiscence.